Horn Technique A New Approach to an Old Instrument Jeffrey Agrell 9781544966434 Books
Download As PDF : Horn Technique A New Approach to an Old Instrument Jeffrey Agrell 9781544966434 Books
The horn (AKA the French horn) is a captivating concatenation of curving copper that is renowned for being perhaps the most beautiful of musical instruments in its shape and sound, but also the scariest and most unpredictable to play. This book (fifteen years in the making) is a new look at how this beautiful beast really works.
Horn players are blessed for the quantity and quality of repertoire and pedagogical materials in their tradition, but cursed at the same time for letting that tradition mute curiosity about what is still missing and what should be part of horn study in this new millennium. Horn Technique is a detailed, thoughtful (and occasionally tongue-in-cheek) look at ways old and new to get from one note to another, plus many musical examples and exercises detailing the most efficient ways to teach the instrument to students at any level.
It is a comprehensive resource for teachers, and a combination road map and gold mine of information for serious students. Above all, it encourages the reader/player to combine the book’s approach with what they already do, and, fueled by curiosity and imagination, to use the book as a springboard to make new discoveries about the best ways to master this ancient and amazing instrument.
Horn Technique A New Approach to an Old Instrument Jeffrey Agrell 9781544966434 Books
If I could offer only two words about Professor Agrell's new book, they would be "buy it!" You won't find a more thoughtful, comprehensive, top-to-bottom, nuts and bolts discussion of horn playing anywhere. In a holistic yet meticulously detailed way, Agrell addresses not only horn playing, but overall musicianship as well. While many of the chapters cover traditional material - warming up, practice strategies, fingering, etc. - Agrell's approach is always fresh and full of unique ways to tackle familiar problems. Jeff loves to challenge our (mis)conceptions, and brings to bear decades of teaching and performing experience. In some ways, though, the title is misleading, as Horn Technique is much more ambitious in its scope. Agrell proposes a reboot of the traditional way we approach music education. Instead of obsessing about note names and fingerings as beginners, we ought to learn music the way babies learn spoken language - through imitation, improvisation, and memorization of brief patterns which can be built upon later. Only once those basics are mastered should notation be introduced.Stepping back a bit, here are some of the big themes I took away from Horn Technique. There are certainly more, but these are the ones that jumped out to me.
Horn (and all brass) players need to have a detailed working knowledge of the overtone (harmonic) series. We need to know the overtone series number and intonation tendency for every note on the horn - Agrell calls this "horn math."
Warm-ups and practice sessions should begin without using the valves (all overtone series) and then progress to using the valves. Historically, the horn developed this way, and it makes sense from a physical perspective as well. Many of the exercises in Horn Technique begin without valves and add valves later.
We need to know how to apply our knowledge of music theory to create real-world practice strategies. Agrell walks the reader through this approach, showing us first how to identify and analyze patterns, and then to create our own custom exercises based on those patterns.
Less Notes, More Music. One of the big principles in Horn Technique is that we spend entirely too much time with our heads buried in a music stand. Agrell advocates for more notation-free practice. Related to this, Agrell is also a big proponent of performing from memory.
Question Everything! At the heart of this book is the idea of questioning traditional approaches to horn playing. There is of course much to be learned from the great players and teachers of the past, but Agrell asks that we be willing to consider alternative methods along with traditional ones.
Although I've read the entire book cover to cover, I've only just begun to dig into Horn Technique. The principles and exercises in it will keep both my students and me occupied for some time. And at $19.99 for the hard copy, this is an incredibly affordable textI
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Horn Technique A New Approach to an Old Instrument Jeffrey Agrell 9781544966434 Books Reviews
Great service and value.
I'm a Music Education major with horn as my principle instrument. I didn't start playing horn until college, so I never got the normal beginning horn instruction that most people get in middle school. This book has been extremely helpful to me for the basics, more advanced strategies for my own horn playing, and strategies for teaching students of my own.
Very worth while purchase!
This is a cerebral approach to horn playing, which provides a technical understanding of our wonderful instrument and how to make this knowledge work for you.
Jeff is very creative, but practical. His ideas bear very good fruit!
Many method books are great at telling us what to do, but often they employ a “one size fits all” approach, which is not the most helpful. However, Agrell’s book is very articulate on how the horn works, why it works that way, and he gives us the tools to cater our own method to suit our needs at the time. The approach of this book is clearly “Teach a person to fish and you have fed them for life.” Highly recommend this book to every brass musician/ teacher. Thanks, Jeff, for publishing your thoughts and research! Bravo!
An excellent study on how to "rethink" the horn many "horns", not just F/Bb. I'm not a horn player (arranger/composer) but find
much that is generally applicable to music in general memory and internalization skills, getting away from the printed page and many other ways of thinking about general music theory. While very specific as the title says, it really is more of a new approach to learning or looking at music in a unique way. Wish we all were exposed to this type of thinking earlier in our music careers!
This is one of those "once in a lifetime" books on all things horn (and at $20 the best purchase ever). Jeff Agrell's voice is so present in this must have books for all horn players. I am using this in my University of Florida Horn Studio as a required text. We have already experienced great progress in our playing from Jeff's wisdom and practically. Thank you Jeff for sharing your many years of experience with us all! And for shattering the traditional, stagnant and quite frankly stale ideas that have so long been a part of standard horn instruction. Bravo!
If I could offer only two words about Professor Agrell's new book, they would be "buy it!" You won't find a more thoughtful, comprehensive, top-to-bottom, nuts and bolts discussion of horn playing anywhere. In a holistic yet meticulously detailed way, Agrell addresses not only horn playing, but overall musicianship as well. While many of the chapters cover traditional material - warming up, practice strategies, fingering, etc. - Agrell's approach is always fresh and full of unique ways to tackle familiar problems. Jeff loves to challenge our (mis)conceptions, and brings to bear decades of teaching and performing experience. In some ways, though, the title is misleading, as Horn Technique is much more ambitious in its scope. Agrell proposes a reboot of the traditional way we approach music education. Instead of obsessing about note names and fingerings as beginners, we ought to learn music the way babies learn spoken language - through imitation, improvisation, and memorization of brief patterns which can be built upon later. Only once those basics are mastered should notation be introduced.
Stepping back a bit, here are some of the big themes I took away from Horn Technique. There are certainly more, but these are the ones that jumped out to me.
Horn (and all brass) players need to have a detailed working knowledge of the overtone (harmonic) series. We need to know the overtone series number and intonation tendency for every note on the horn - Agrell calls this "horn math."
Warm-ups and practice sessions should begin without using the valves (all overtone series) and then progress to using the valves. Historically, the horn developed this way, and it makes sense from a physical perspective as well. Many of the exercises in Horn Technique begin without valves and add valves later.
We need to know how to apply our knowledge of music theory to create real-world practice strategies. Agrell walks the reader through this approach, showing us first how to identify and analyze patterns, and then to create our own custom exercises based on those patterns.
Less Notes, More Music. One of the big principles in Horn Technique is that we spend entirely too much time with our heads buried in a music stand. Agrell advocates for more notation-free practice. Related to this, Agrell is also a big proponent of performing from memory.
Question Everything! At the heart of this book is the idea of questioning traditional approaches to horn playing. There is of course much to be learned from the great players and teachers of the past, but Agrell asks that we be willing to consider alternative methods along with traditional ones.
Although I've read the entire book cover to cover, I've only just begun to dig into Horn Technique. The principles and exercises in it will keep both my students and me occupied for some time. And at $19.99 for the hard copy, this is an incredibly affordable textI
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